ABOUT

Sophie was the winner of the CHBH (Centre for Human Brain Health) artwork competition (2018), The ashurst emerging artist prize (2019), Part of the (PARSE) Fifth Annual Southeast Louisiana Juried Student Exhibition (2018) and Highly Commended for the under 18 Artprize Award (2015). Her work has been published in Entropy Magazine, a book of street art by Kady Perry (2019), and The Boston Accent and Cotton Xenomorph poetry journals (2018).

Peters investigates identity, environmentalism and gender binaries primarily through paint, video and mixed media. 

 She was born in MN USA, 1996 and grew up in England. 

Media/Publications:

Thirty West Publishing: https://www.thirtywestph.com/column/sophiepetersinterview

Book by Kady Perry:

https://fundrazr.com/NewOrleansStreetArtBook?ref=ab_8nz6QhSitaY8nz6QhSitaY

Society 19:

https://www.society19.com/uk/new-young-artists-you-need-to-check-out-on-instagram/

NOLA mural project:

https://www.nola.com/expo/life-and-culture/erry-2018/08/cf80974a552020/outlaw-nola-mural-project-was.html

http://www.bostonaccentlit.com/peters/

https://www.cottonxenomorph.com/journal/2018/8/24/obit

https://www.cottonxenomorph.com/journal/2018/7/15/tuesdays-cut-through-me

About Sophie’s Art:

“Colour, texture, the human body is morphed and taken out of context.”

“Finer Egon Schiele, experimental paintings. Lots of colour. Peters plays with images you feel you know already, but plays with your perspectives of them. Her work is the result of someone painting with a rich imagination. And it usually shows a form of decay.” 

“Bio-morphic surrealism with hyperrealist inclusions”

“I see a lot of femininity in Sophie’s work. Women’s or men’s bodies juxtaposed through incredibly bold and bright abstraction that varies from more balanced/geometric values to more of a subjective and spontaneous style.”

“She seems to go for a rough approach with her strokes, especially when illustrating some form of natural beauty. For me, this portrays how although in life things may look wrong or messy, there remains a perfection to any form…”

CONTACT